
Henri-Georges Clouzot
Writing · Born 1907-11-20 · age 69 at death · Niort, Deux-Sèvres, France
Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France. Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Diabolique. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977. Description above from the Wikipedia article Henri-Georges Clouzot, licensed under CC-BY-SA, full list of contributors on Wikipedia
Titles

Diabolique

The Wages of Fear

Diabolique

Le Corbeau

Torment

The Truth

Jenny Lamour

The Murderer Lives at Number 21

Woman in Chains

Manon

The Mystery of Picasso

The Spies

The Last One of the Six

Strangers in the House

Return to Life

Miquette

The Terror of Batignolles

If All the Guys in the World...

Dragnet Night

I'll Be Alone After Midnight

My Cousin From Warsaw

Dream Castle

The Unknown Singer

The World Will Shake

Tell Me Tonight

Brasil

Bardot, The Misunderstanding

All for Love

Verdi – Messa da Requiem

Bargekeepers Daughter

Morceaux de Cannes

The Bardot mystery

The Rebel

Should We Wed Them?

The Duel

Yehudi Menuhin und Herbert von Karajan – Mozart: Konzert für Violine und Orchester Nr. 5

Caprice de princesse

Clouzot filme Karajan : la Symphonie du Nouveau Monde de Dvořák

The Inferno Unseen

Karajan in Rehearsal

Karajan: Mozart Violin Concerto No 5, Dvorak Symphony No.9

Menuhin and Karajan - The Concert Great Moments in Music