
Júlio Bressane
Directing · Born 1946-02-13 · age 80 · Rio de Janeiro, Rio de Janeiro, Brazil
Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.
Titles

Killed the Family and Went to the Movies

A Love Movie

Copacabana Mon Amour

Days of Nietzsche in Turin

Venice 70: Future Reloaded

Tabu

Killed the Family and Went to the Movies

The Angel Was Born

Cleopatra

The Herb of the Rat

Kid

No Way, Spider

Face to Face

Memoirs of a Strangler of Blondes

Lágrima Pantera: A Míssil

Capitu and the Chapter

Sentimental Education

Beduíno

Sermões

Seduction of the Flesh

The Agony

Plantation Boy

Baron Olavo, The Horrible

Brazil Year 2000

Watch Out, Madame

Chinese Viola

Crazy Love

Talking Cinema

Naive Cinema

São Jerônimo

King of the Cards

The Hullabaloo Family

Miramar

Aperana Street 52

The Giant of America

The Mandarin

Bethânia Bem de Perto: A Propósito de um Show

The Long Voyage of the Yellow Bus

Rudder of Destiny

A Miss e o Dinossauro

Brás Cubas

Ver Viver Reviver

The Queen of the Night

Drumming Beat of the Stars

A Linguagem do Cinema

Lima Barreto: Trajetória

A Fada do Oriente

Ideogram

Oswaldianas

O Monstro Caraíba
Carnaval na Lama

Memories of Helen

Strade perdute - Filmmaker 23

Galáxia Albina

Earth

Avacalha e se Esculhamba

Nietzsche Sils Maria Rochedo de Surlej

A Vermelha Luz do Bandido

Belair

Quem Seria o Feliz Conviva de Isadora Duncan?