Peter Field
Multiple people share this name — showing the most well-known match (Camera).
Camera · United Kingdom United Kingdom
Peter Field is a second unit director of photography. He began his career in the visual effects department at Pinewood Studios, where he notably contributed to the production of Superman III. From those early days in optical and visual effects, he advanced into camera work both as an operator and as a second‑unit cinematographer, eventually building a reputation on large-scale international feature films and television productions. Over the years, he has accumulated over 50 film credits and around 18 television credits, working across main, second, splinter, VFX, action, and model/miniature units. His roles frequently include second‑unit Director of Photography or camera operator, particularly on action sequences and specialised shots. His cinematography collaborations span many high-profile films. Some examples include second‑unit work on Hot Fuzz (2007), Lara Croft: Tomb Raider (2001), Doomsday (2008), Edge of Tomorrow (2014), Spectre and Mission: Impossible – Rogue Nation (both 2015), Jason Bourne (2016), Rogue One: A Star Wars Story (2016), Doctor Strange (2016), Mortal Engines (2018), The Huntsman: Winter's War (2016), Maleficent: Mistress of Evil (2019), The Warrior Queen of Jhansi (2019), Kingdoms of Fire (2019), The Letter to the King (2020), The Wilds (2020) and The Lord of the Rings: Rings of Power seasons 1 and 2 (2022–2023). In particular, his work as second‑unit Action/Drama Director of Photography on The Lord of the Rings: Rings of Power season 1 earned him the prestigious New Zealand Cinematographers Society Silver Award in May 2023. He was accorded full NZCS accreditation soon after. He then returned to shoot season 2 under the guidance of Vic Armstrong, his frequent collaborator, across a nine‑month UK shoot that concluded in mid‑2023. Beyond films and episodic TV, Peter also works on commercials and short films, and enjoys operating additional units, including model/miniature units, as well as splinter and VFX units. He has collaborated with top directors such as Tim Burton, Joe Johnston, Neil Marshall, John Madden, Edgar Wright, Paul Greengrass, Sam Mendes, and Kenneth Branagh, as well as with major studios including Disney, Warner Bros., Marvel, Paramount, Netflix, Amazon Studios, MGM, Sony, Working Title, and more. Colleagues widely praise him for his technical skills, creative eye, calm professionalism, and collaborative spirit—Vic Armstrong described him as "the consummate professional," while other collaborators called him "highly collaborative," "excited by action," and someone they would hire again without hesitation. He is also the son of renowned visual effects artist Roy Field and brother of Tim Field.
Titles

Doctor Strange

Captain America: The First Avenger

Kingsman: The Secret Service

World War Z

Rogue One: A Star Wars Story

Star Wars: The Last Jedi

Skyfall

Edge of Tomorrow

Maleficent

Casino Royale

Spectre

Fast & Furious 6

Troy

Mission: Impossible - Rogue Nation

Wonder Woman 1984

Quantum of Solace

Hot Fuzz

Snow White and the Huntsman

F9

Dark Shadows

No Time to Die

Lara Croft: Tomb Raider

Maleficent: Mistress of Evil

Jason Bourne

Blade II

Mortal Engines

The Huntsman: Winter's War

Knight and Day

The Mummy: Tomb of the Dragon Emperor

The League of Extraordinary Gentlemen

Die Another Day

Dolittle

The Lord of the Rings: The Rings of Power

Alexander

Tomorrow Never Dies

The World Is Not Enough

Damsel

Gulliver's Travels

Grimsby

Attack the Block

The Rite

Entrapment

Cold Mountain

City of Ember

A Wrinkle in Time

Artemis Fowl

Hackers

Your Highness

Doomsday

K-19: The Widowmaker

Quills

Cutthroat Island

Marco Polo

The Wilds

Ra.One

DeepStar Six

Robot Overlords

The Letter for the King

Blow Dry

Russell Mulcahy’s Tale of the Mummy